虐戀情境：論王小波〈東宮‧西宮〉與〈似水柔情〉之「情節」「時空」敘事

(全文請參高師大《國文學報》第八期，2008年6月,頁263-286http://stu93.nknu.edu.tw/~f9311002/index.htm)

古佳峻苎

摘要

王小波(1952~1997)生於中國北京，其代表著作是「時代三部曲」，引起中國文壇的「王小波熱」。本文選以《黑鐵時代》中〈東宮‧西宮〉〈似水柔情〉二文為討論，主以同一題材不同體裁之作品，觀察其情節與時空安排的特殊意義，論其情節的「同中存異」與時空「實虛相應」；以「虐戀情境」為題，將二文歸為虐戀(SM)文本（text），文中主角採以問答論辯方式與古今情節交疊為敘，而形成男/女、同性戀/異性戀、現實/虛幻、實景/夢境、古(傳統)/新(潮流)的對立結構，雖看似警察控制囚犯、異性戀政權消弭同性戀「變態」的線性發展，實質卻是種精神慰藉，以達到性壓抑解放與滿足的作用，有別「同志文學」所強調的悲情獨白與身份認同的訴求，採以模糊性別與性器官的高潮，而作為「酷兒論述」的文本創作。王小波與其妻李銀河致力於中國社會與性別關係之議題，而此二文正可窺視夫妻將學理應用於創作，及王小波藉「傳奇」述今人「世情」的戲劇性文本結構，呈現「時代系列」中特有的「虐戀文本」。

關鍵詞：王小波，東宮西宮，似水柔情，虐戀，酷兒


The Situation of the Sadomasochism：
Analyse the plot and space-time of“Dong-Gong-Xi-Gong”and“Si-Shui-Rou-Qing”


Chia-Chun Ku

Abstract
Xiao-bo Wang was born in Beijing, China. His representative author is ”The Time Trilogy”, once caused the agitation in Chinese literary world, called it ”The current of Xiao-bo Wang ”. Many of descriptions in his literatures are taken by the legendary writing technique takes the, and responded the contemporary netherworld is unstable.In this essay, I choose “Dong-Gong-Xi-Gong”and“Si-Shui-Rou-Qing”from ”Hei-Tie-Shi-Dai” and try to make the comparisons between two texts, because in the texts, it shows the opposite sex exist the homosexuality thought imply, and come off the boundary of ”heterosexuality” and ” homosexuality ”. Then, from the angle of genderqueer, the social current novel and the screenplay can be the expressible medium. Therefore, from this comparison, we can get some viewpoints: First, this is the text of the Sadomasochism. Second, the text shows some opposition structures, included male/female, homosexuality/ heterosexuality, reality/unreal, the real-life scenery/dreamland and ancient (tradition)/ new (tidal current). Third, the different medium, strengthens the center of gravity has the shift.

Key Words; Xiao-bo Wang，Dong-Gong-Xi-Gong，Si-Shui-Rou-Qing，Sadomasochism，Queer

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