我從一兩年前Maria Joao Pires的"莫札特協奏曲事件"(這位女鋼琴家在協奏曲音樂會前，因為趕場表演、旅途勞累，所以沒有彩排。音樂會當天，樂團開始拉前奏，她才赫然發現這場音樂會的曲目和她原先準備的不一樣! 最後她僅憑著記憶就完美地彈出整首莫札特協奏曲!!)才開始認識這位女鋼琴家。出於好奇開始找她的錄音，結果深深被這位女鋼琴家充滿靈性和詩意的演奏吸引。這部影片是關於她和她在葡萄牙的音樂中心，整部影片充滿著智慧、哲理、靈感和魔力，看了之後讓人非常感動!

(紀錄片"發現聲音"影片連結)
http://www.youtube.com/watch?v=4C_foztPUrw
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以下是取自她在影片中講的幾段話(英文部分是我從影片聽寫出來的，由於英語不是她的母語，所以可能有些句子有文法錯誤，但還可以理解她的意思。中文部分是我自己翻譯的)

1)
Most of the time,when people come here,they don’t know what they search for.They think they know.They think they want to have successful career,or they want to play more concerts,or to earn more money,or to have possibility of being known.And they are trying something that is always against themselves. Because if they try to make themselves,they are going to create such power that all all the stuffs is no necessary anymore. I think people have no idea about the power that is created by you being yourself.They have no idea that with this,they can do anything.

很多人來這裡(Maria Joao Pires的音樂中心)的時候並不知道他們要追尋的是什麼。他們以為他們知道自己要什麼-也許是想要能有成功的音樂事業、彈更多音樂會、賺更多錢、或讓自己變得更有名、有更多人認識…但為了達到這些，他們反而忘了自己內心最真實的想法。如果他們能夠試著去傾聽自己的內心、傾聽自己的音樂、單純的做自己，他們其實有能力創造出一種力量讓他們不再需要這些(名氣、錢、事業)。我覺得，人們並不知道最真實的自己有多少力量，他們不知道這樣的力量能讓他們做任何事。

2)
I don’t believe so much in art in times of something for rich people,or for talented people,or for the big concert halls,or for the big museums. I believe in art in all day life,in every day.So that you really put it in everything you do.Doing things well with beauty.So for me it’s very natural to go on stage in the concert hall.When I play there,it’s a part of daylife. It is just come from whatever you’re doing,and play,and that’s it.You finished playing and continue doing other things.
我不覺得藝術是屬於有錢的人、有天分的人、大的音樂廳或博物館。我相信藝術是在生活中、在我們活著的每一天之中。帶著美麗的心去做、去欣賞生活中的任何一件事-這就是藝術。所以，對我來說，上台表演是一件非常自然的事-我在台上彈琴，音樂會結束之後我繼續做其他事-舞台上的表演只是我生活中的一部分，就像我生活中任何一件其他事(煮飯,走路,與人交流…等)一樣。

(年輕時的Maria Joao Pires)


3)
I had a feeling-when I was young,there was more look inside. I think today this is kind of almost lost. Especially I think the fact that the competition became something normal. This is something that completely destroy the way look inside. You don’t look at yourself, because you are looking at the others-Is he better than me? And I think this mate-I hate to say that-the new generation very far from the certain truth that can bring them to themselves. If you don’t have the possibility of knowing yourself in the true way, I don’t think you can create.
我覺得，在我還年輕的時候，人們比較會在意內心的東西，然而現在卻已經幾乎被忽略。尤其是在國際比賽變得越來越頻繁之後，幾乎完全摧毀了讓人去感受自己內心的機會。因為年輕藝術家不再在意自己心靈的力量，而是在意其他人，想著:他彈的有比我好嗎? 我覺得這種形式的競爭-我很不想這樣說-但它已經讓新一代的音樂家離真實的美感越來越遠。如果你沒有辦法了解自己的心，我不覺得你能夠創造出好的藝術。

4)
It is a lie to make out of artists diffirent people,because artist is a person like everyone else.He became a person that has a certain language through the others. if you see me on the stage being happy- it has nothing to do with stage, it has to do with me,other people and music
藝術家不是被孤立的，他們就和任何人一樣生活在人群中
他們從生活中汲取靈感，透過生活而成為一個擁有特定語言(音樂,繪畫或舞蹈..等)的人
如果你看見我在舞台上很開心，並不是因為我在舞台上發光發熱或舞台使我產生了優越感，這樣的快樂應該是建立在我、音樂和其他人-三者的互動關係上.

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紀錄片"發現聲音"是在尋找鋼琴上的聲音，尋找音樂的聲音，也是在尋找自己內心的聲音。
音樂是心靈的產物。只有勇敢做自己，才能創造出屬於自己、獨一無二的音樂，而也只有這樣發自內心的音樂才能真正打動人，讓這個世界因為音樂而更美好!