We suggested that "theorizing diaspora" offers critical spaces for thinking about the discordant movements of modernity, the massive migrations that have defined the century--from the late colonial period through the decolonization era into the twenty-first century.

We suggested that the mountain palace offers critical spaces for thinking about the abstruse exterior of scholarship, the poststructural currency that have defined the postmodern era--from the Derridaean indeterminacy through the postmodern traverse into the everlasting flow of globalization.

(MTK)

They suggest that the stage offers critical spaces for thinking about the meta-discourses of the performance, the philosophy that embodied in the bodily gestures—from the facial expressions to the accessories.