2004-10-15 01:26:29小花
真善美The Sound of Music
百老匯音樂歌舞劇
果然不一樣
好久沒有看戲看的如此過癮了
讚就是讚就是讚讚讚
舞台不是頂級華麗
也許是受限於國內的場地
但是
超專業的交響樂團
一流的演員
最猛的是
他們的合聲超美
而且最小的演員才4ˋ5歲
陣勢不龐大
但是令人震撼
剩沒幾場
錯過會遺憾
...........................................
資料來源
http://www.ticket.com.tw/dm.asp?P1=0000004191
百老匯音樂歌舞劇
真善美The Sound of Music
劇情簡介
故事發生在1938年奧地利的農伯格修道院裡，傍晚時分眾修女正在作彌撒，活潑好動的實習修女瑪莉亞‧蕾娜很顯然地不在行列之中，她正沈醉在山中大自然的懷抱裡，唱著喜悅之歌，遲遲回到修道院後，修女們不得不承認瑪莉亞還沒準備好擔任神職人員的角色。
雖然修道院的大修女與瑪莉亞分享了許多她對神職的熱情，大修女仍決定將瑪莉亞送出修道院，擔任喬治‧馮崔普上校家的家庭教師，上校乃為奧地利海軍退休軍官，自從他的妻子過逝之後，上校管理家務就如同軍事管理般，用對待軍人的方式來對待他的孩子，然而在瑪莉亞和孩子們一起獨處的幾天裡，她教導他們如何玩耍、歌唱、及享受生命，例如劇中一段長女Liesl因為愛上了傳令兵(Rolf Gruber)，偷偷從家中溜出來見他。當瑪莉亞在暴風雨中用歌聲撫慰孩子們的驚恐時，她贏得了所有孩子的心。
上校和他的未婚妻(Elsa Schraeder)、以及家族世交Max Detweiler一同回到了維也納，一開始，上校對瑪莉亞解除他對孩子所採取的軍事管教感到驚訝及憤怒，然而當他首次聽到家中久未出現的音樂之聲時，立刻被感動，因為瑪莉亞使他瞭解到，讓孩子感受他的愛是多麼重要的一件事。
在一個將Elsa介紹給鄰居的晚宴上，其中一位賓客威脅嚴厲反對納粹政權的喬治上校，當瑪莉亞試著教導馮崔普家族裡的男孩們奧地利最優美的民族舞蹈時，上校第一次接過瑪莉亞的手並與其共舞，就在兩人共舞時，瑪莉亞突然意識到她已經愛上了這位上校，在困惑迷惘之中，瑪莉亞飛奔到修道院，修女們提醒她男女之愛是非常神聖的，修道院並不是隱藏個人問題的地方，而是面對問題之所，還鼓勵瑪莉亞伸出雙手去迎接新生活，並堅持瑪莉亞返回馮崔普家族。
在此同時，上校與未婚妻及Max對於納粹入侵奧地利一事起了口角，當上校準備好要挺身而出對抗納粹時，養尊處優的未婚妻Elsa並不願意冒這個險，於是決定和上校解除婚約，隨著Elsa的離開，瑪莉亞和上校瞬間感受到他們本身對對方不自覺的愛意，兩個禮拜之後他們便在修道院完婚。
度完蜜月後，他們發現長女Liesl的傳令兵情人已經成為納粹的一份子，同時，Max決心讓孩子們如期在薩爾茲堡音樂節中演出，雖然這麼做上校並不同意，眼看納粹就要迫害上校從軍了，瑪莉亞說服了新的政權，為他爭取到了時間，讓整個馮崔普家族如期列入薩爾茲堡音樂節的節目中。
在納粹允許馮崔普家族的演出的同時，也宣布護衛隊會隨時待命，將上校帶往Bremerhaven就任新職，很快地，瑪莉亞帶領著全家，包括上校，在Max拖延護衛隊之下，一個個邊唱歌邊從密道出口離開，逃到修道院，他們在花園中成功躲避了納粹的追捕，最後在修女們的祝福之下，馮崔普一家人以最快的速度離開奧地利，重新追求新的生活及希望，當他們爬上瑪莉亞最終愛的高山時，也象徵他們重獲自由。
Synopsis
It is 1938. In Nonnberg Abbey in Austria, as the nuns gather for evening prayers it becomes apparent that the postulant, Maria Rainer, is not among them. Maria is out on the mountain, singing of the joy she finds in nature, and she returns to the Abbey late, as usual. The Mother Abbess and her assistants are forced to conclude Maria is not yet ready for the religious life.
Although the Mother Abbess shares many enthusiasms with Maria, she decided to send her out of the Abbey to become temporary governess to the children of Captain George on Trapp, a retired officer of the Austrian Navy. Since the death of his wife, the Captain has taken to running his home like a battleship, and his children like military recruits. When Maria and the children have a few days alone together, however, she teaches them how to play, to sing, and to enjoy life. Liesl, the oldest child, is in the throes of first love with Rolf Gruber, a village boy, and she steals from the house to meet him. Maria wins over Liesl, indeed all of the children, when she comforts them with her singing during a thunderstorm.
The Captain returns from Vienna with his fiancee, Elsa Schraeder, and a family friend, Max Detweiler. At first astonished and angry at Maria's dismantling of the martial law he had imposed on his children, the Captain's cold reserve melts away when he hears the sound of music in his home for the first time in many years. Maria has made him realize how important it is to know and love his children.
At a party given to introduce Elsa Schraeder to the Captain's neighbors, the ominous rumblings of the imminent German Anschluss begin to be heard. Some of the guests almost come to blows over the possibility of Hilter's take-over of Austria, and one of them threatens the Captain, who is firmly opposed to the Nazi regime. When Maria tries to teach one of the von Trapp boys the charming Austrian folk dance, the Laendler, the Captain takes over, dancing for the first time with Maria. During the dance Maria is confronted with a sudden realization: she has fallen in love with the Captain. In dismay, she flees to the Abbey, where the Mother Abbess advises her that the love of a man and a woman is holy, and that the Abbey is not a place to hide from one's problems but a place in which to confront them. She urges Maria to reach out to meet life and insists that Maria return to the von Trapp household.
Meanwhile the Captain is engaged in a quarrel with Elsa and Max over the Nazi invasion of Austria. While the Captain is prepared to stand up to the Nazis and defy them if necessary, Elsa is unwilling to take such risks or in any way endanger her own comfortable position. She and the Captain decide to dissolve their engagement, and she leaves. With Elsa gone, Maria and the Captain suddenly are faced with their unacknowledged love for each other, and two weeks later they are married at the Abbey.
When they return from their honeymoon, they find that the Anschluss has become fact, and that Rolf, Liesl's love, has emerged as a Nazi supporter. Max, meanwhile, is determined that the children will sing at a music festival in Salzburg as planned; though he goes against the Captain's wishes. The Nazis are about to press the Captain into military service to the Third Reich; Maria gains time for him by convincing the new authorities that, in fact, the entire von Trapp family is scheduled to sing at the Salzburg festival.
The Nazi officials allow the von Trapps to perform, while announcing that a military escort will be standing by to take the Captain to his new post in Bremerhaven. Swiftly, Maria leads the family, including the Captain, into their exit song and one by one, they disappear as Max stalls the escort. Fleeing to the Abbey, they seek refuge in the garden as soldiers search for them unsuccessfully. Finally, as the nuns wish them Godspeed, the von Trapps leave Austria for a new life and new hope, as they climb to freedom over Maria's beloved mountain.
作曲／作詞簡介
李察羅傑斯與奧斯卡漢默斯坦二世
李察羅傑斯（作曲家，1902~1979）於1943年與奧斯卡漢默斯坦二世（作詞家1895~1960）合作，締造了美國音樂劇史上最契合、最成功的伙伴關係。「奧克拉荷馬!」（Oklahoma!）乃是李察羅傑斯與奧斯卡漢默斯坦二世第一部音樂劇。也是新劇種-音樂劇的第一，融合了羅傑斯的細膩音樂喜劇風格與漢默斯坦在輕歌劇上的創新。
「奧克拉荷馬!」(Oklahoma!)之後的作品包括有Carousel (1945)、Allegro (1947)、 South Pacific (1949)、The King and I (1951)、Me and Juliet (1953)、Pipe Dream (1955)、Flower Drum Song (1958)以及「真善美」(The Sound Of Music, 1959)。
羅傑斯與漢默斯坦特別為了大銀幕合寫了一齣音樂劇State Fair，以及為電視寫的Cinderella，總體而言，羅傑斯與漢默斯坦音樂劇贏得了34項東尼獎，15項奧斯卡獎，2項普立茲獎，2項葛萊美獎，1項艾美獎。
Biographies
RICHARD RODGERS & OSCAR HAMMERSTEIN II
After long and highly distinguished careers with other collaborators, RICHARD RODGERS (composer, 1902-1979) and OSCAR HAMMERSTEIN II (librettist/lyricist, 1895-1960) joined forces in 1943 to create the most consistently fruitful and successful partnership in the American musical theatre. Oklahoma!, the first Rodgers & Hammerstein musical, was also the first of a new genre, the musical play, blending Rodgers' sophisticated style of musical comedy (which he had perfected in a twenty-five year partnership with lyricist Lorenz Hart) with Hammerstein's innovations in operetta (conceived in collaboration with such composers as Sigmund Romberg, Vincent Youmans, Rudolf Friml, and Jerome Kern). Oklahoma! Was followed by Carousel (1945), Allegro (1947), South Pacific (1949), The King and I (1951), Me and Juliet (1953), Pipe Dream (1955), Flower Drum Song (1958), and THE SOUND OF MUSIC (1959). Rodgers & Hammerstein wrote one musical specifically for the big screen, State Fair (1945; remade in 1962; adapted to the stage in 1995), and one for television, Cinderella (1957; remade in 1965, and 1997). Collectively, the Rodgers & Hammerstein musicals earned 34 Tony Awards, 15 Academy Awards, two Pulitzer Prizes, two Grammy Awqards, and one Emmy Award.
獎 項 Awards
1959-1960東尼獎 Tony Awards, 1959-1960
最佳音樂劇 Best Musical
最佳音樂劇女主角 Best Performancein Musical (female)
最佳音樂劇女配角 Best Supporting Performance in Musical (female)
最佳音樂指導 Best Music Direction
最佳票房 Best Book
最佳音樂設計 Best Score
1965奧斯卡 Academy Awards, 1965
年度最佳影片 Best Film of the Year
最佳導演 Best Director
最佳影片剪輯 Best Film Editing
最佳錄音音效 Best Sound Recording
最佳音樂設計 Best Scoring of Music (adaptation)
Billboard有史以來最佳銷售蟬聯記錄最久
Billboard's Longest Running Best-Seller
電影「真善美」（300禮拜前40名）
The sound of Music Movie (300 weeks Top 40)
2004/10/16
下午 02:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/
2004/10/16
下午 07:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/
2004/10/17
下午 02:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/
2004/10/17
下午 07:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/
果然不一樣
好久沒有看戲看的如此過癮了
讚就是讚就是讚讚讚
舞台不是頂級華麗
也許是受限於國內的場地
但是
超專業的交響樂團
一流的演員
最猛的是
他們的合聲超美
而且最小的演員才4ˋ5歲
陣勢不龐大
但是令人震撼
剩沒幾場
錯過會遺憾
...........................................
資料來源
http://www.ticket.com.tw/dm.asp?P1=0000004191
百老匯音樂歌舞劇
真善美The Sound of Music
劇情簡介
故事發生在1938年奧地利的農伯格修道院裡，傍晚時分眾修女正在作彌撒，活潑好動的實習修女瑪莉亞‧蕾娜很顯然地不在行列之中，她正沈醉在山中大自然的懷抱裡，唱著喜悅之歌，遲遲回到修道院後，修女們不得不承認瑪莉亞還沒準備好擔任神職人員的角色。
雖然修道院的大修女與瑪莉亞分享了許多她對神職的熱情，大修女仍決定將瑪莉亞送出修道院，擔任喬治‧馮崔普上校家的家庭教師，上校乃為奧地利海軍退休軍官，自從他的妻子過逝之後，上校管理家務就如同軍事管理般，用對待軍人的方式來對待他的孩子，然而在瑪莉亞和孩子們一起獨處的幾天裡，她教導他們如何玩耍、歌唱、及享受生命，例如劇中一段長女Liesl因為愛上了傳令兵(Rolf Gruber)，偷偷從家中溜出來見他。當瑪莉亞在暴風雨中用歌聲撫慰孩子們的驚恐時，她贏得了所有孩子的心。
上校和他的未婚妻(Elsa Schraeder)、以及家族世交Max Detweiler一同回到了維也納，一開始，上校對瑪莉亞解除他對孩子所採取的軍事管教感到驚訝及憤怒，然而當他首次聽到家中久未出現的音樂之聲時，立刻被感動，因為瑪莉亞使他瞭解到，讓孩子感受他的愛是多麼重要的一件事。
在一個將Elsa介紹給鄰居的晚宴上，其中一位賓客威脅嚴厲反對納粹政權的喬治上校，當瑪莉亞試著教導馮崔普家族裡的男孩們奧地利最優美的民族舞蹈時，上校第一次接過瑪莉亞的手並與其共舞，就在兩人共舞時，瑪莉亞突然意識到她已經愛上了這位上校，在困惑迷惘之中，瑪莉亞飛奔到修道院，修女們提醒她男女之愛是非常神聖的，修道院並不是隱藏個人問題的地方，而是面對問題之所，還鼓勵瑪莉亞伸出雙手去迎接新生活，並堅持瑪莉亞返回馮崔普家族。
在此同時，上校與未婚妻及Max對於納粹入侵奧地利一事起了口角，當上校準備好要挺身而出對抗納粹時，養尊處優的未婚妻Elsa並不願意冒這個險，於是決定和上校解除婚約，隨著Elsa的離開，瑪莉亞和上校瞬間感受到他們本身對對方不自覺的愛意，兩個禮拜之後他們便在修道院完婚。
度完蜜月後，他們發現長女Liesl的傳令兵情人已經成為納粹的一份子，同時，Max決心讓孩子們如期在薩爾茲堡音樂節中演出，雖然這麼做上校並不同意，眼看納粹就要迫害上校從軍了，瑪莉亞說服了新的政權，為他爭取到了時間，讓整個馮崔普家族如期列入薩爾茲堡音樂節的節目中。
在納粹允許馮崔普家族的演出的同時，也宣布護衛隊會隨時待命，將上校帶往Bremerhaven就任新職，很快地，瑪莉亞帶領著全家，包括上校，在Max拖延護衛隊之下，一個個邊唱歌邊從密道出口離開，逃到修道院，他們在花園中成功躲避了納粹的追捕，最後在修女們的祝福之下，馮崔普一家人以最快的速度離開奧地利，重新追求新的生活及希望，當他們爬上瑪莉亞最終愛的高山時，也象徵他們重獲自由。
Synopsis
It is 1938. In Nonnberg Abbey in Austria, as the nuns gather for evening prayers it becomes apparent that the postulant, Maria Rainer, is not among them. Maria is out on the mountain, singing of the joy she finds in nature, and she returns to the Abbey late, as usual. The Mother Abbess and her assistants are forced to conclude Maria is not yet ready for the religious life.
Although the Mother Abbess shares many enthusiasms with Maria, she decided to send her out of the Abbey to become temporary governess to the children of Captain George on Trapp, a retired officer of the Austrian Navy. Since the death of his wife, the Captain has taken to running his home like a battleship, and his children like military recruits. When Maria and the children have a few days alone together, however, she teaches them how to play, to sing, and to enjoy life. Liesl, the oldest child, is in the throes of first love with Rolf Gruber, a village boy, and she steals from the house to meet him. Maria wins over Liesl, indeed all of the children, when she comforts them with her singing during a thunderstorm.
The Captain returns from Vienna with his fiancee, Elsa Schraeder, and a family friend, Max Detweiler. At first astonished and angry at Maria's dismantling of the martial law he had imposed on his children, the Captain's cold reserve melts away when he hears the sound of music in his home for the first time in many years. Maria has made him realize how important it is to know and love his children.
At a party given to introduce Elsa Schraeder to the Captain's neighbors, the ominous rumblings of the imminent German Anschluss begin to be heard. Some of the guests almost come to blows over the possibility of Hilter's take-over of Austria, and one of them threatens the Captain, who is firmly opposed to the Nazi regime. When Maria tries to teach one of the von Trapp boys the charming Austrian folk dance, the Laendler, the Captain takes over, dancing for the first time with Maria. During the dance Maria is confronted with a sudden realization: she has fallen in love with the Captain. In dismay, she flees to the Abbey, where the Mother Abbess advises her that the love of a man and a woman is holy, and that the Abbey is not a place to hide from one's problems but a place in which to confront them. She urges Maria to reach out to meet life and insists that Maria return to the von Trapp household.
Meanwhile the Captain is engaged in a quarrel with Elsa and Max over the Nazi invasion of Austria. While the Captain is prepared to stand up to the Nazis and defy them if necessary, Elsa is unwilling to take such risks or in any way endanger her own comfortable position. She and the Captain decide to dissolve their engagement, and she leaves. With Elsa gone, Maria and the Captain suddenly are faced with their unacknowledged love for each other, and two weeks later they are married at the Abbey.
When they return from their honeymoon, they find that the Anschluss has become fact, and that Rolf, Liesl's love, has emerged as a Nazi supporter. Max, meanwhile, is determined that the children will sing at a music festival in Salzburg as planned; though he goes against the Captain's wishes. The Nazis are about to press the Captain into military service to the Third Reich; Maria gains time for him by convincing the new authorities that, in fact, the entire von Trapp family is scheduled to sing at the Salzburg festival.
The Nazi officials allow the von Trapps to perform, while announcing that a military escort will be standing by to take the Captain to his new post in Bremerhaven. Swiftly, Maria leads the family, including the Captain, into their exit song and one by one, they disappear as Max stalls the escort. Fleeing to the Abbey, they seek refuge in the garden as soldiers search for them unsuccessfully. Finally, as the nuns wish them Godspeed, the von Trapps leave Austria for a new life and new hope, as they climb to freedom over Maria's beloved mountain.
作曲／作詞簡介
李察羅傑斯與奧斯卡漢默斯坦二世
李察羅傑斯（作曲家，1902~1979）於1943年與奧斯卡漢默斯坦二世（作詞家1895~1960）合作，締造了美國音樂劇史上最契合、最成功的伙伴關係。「奧克拉荷馬!」（Oklahoma!）乃是李察羅傑斯與奧斯卡漢默斯坦二世第一部音樂劇。也是新劇種-音樂劇的第一，融合了羅傑斯的細膩音樂喜劇風格與漢默斯坦在輕歌劇上的創新。
「奧克拉荷馬!」(Oklahoma!)之後的作品包括有Carousel (1945)、Allegro (1947)、 South Pacific (1949)、The King and I (1951)、Me and Juliet (1953)、Pipe Dream (1955)、Flower Drum Song (1958)以及「真善美」(The Sound Of Music, 1959)。
羅傑斯與漢默斯坦特別為了大銀幕合寫了一齣音樂劇State Fair，以及為電視寫的Cinderella，總體而言，羅傑斯與漢默斯坦音樂劇贏得了34項東尼獎，15項奧斯卡獎，2項普立茲獎，2項葛萊美獎，1項艾美獎。
Biographies
RICHARD RODGERS & OSCAR HAMMERSTEIN II
After long and highly distinguished careers with other collaborators, RICHARD RODGERS (composer, 1902-1979) and OSCAR HAMMERSTEIN II (librettist/lyricist, 1895-1960) joined forces in 1943 to create the most consistently fruitful and successful partnership in the American musical theatre. Oklahoma!, the first Rodgers & Hammerstein musical, was also the first of a new genre, the musical play, blending Rodgers' sophisticated style of musical comedy (which he had perfected in a twenty-five year partnership with lyricist Lorenz Hart) with Hammerstein's innovations in operetta (conceived in collaboration with such composers as Sigmund Romberg, Vincent Youmans, Rudolf Friml, and Jerome Kern). Oklahoma! Was followed by Carousel (1945), Allegro (1947), South Pacific (1949), The King and I (1951), Me and Juliet (1953), Pipe Dream (1955), Flower Drum Song (1958), and THE SOUND OF MUSIC (1959). Rodgers & Hammerstein wrote one musical specifically for the big screen, State Fair (1945; remade in 1962; adapted to the stage in 1995), and one for television, Cinderella (1957; remade in 1965, and 1997). Collectively, the Rodgers & Hammerstein musicals earned 34 Tony Awards, 15 Academy Awards, two Pulitzer Prizes, two Grammy Awqards, and one Emmy Award.
獎 項 Awards
1959-1960東尼獎 Tony Awards, 1959-1960
最佳音樂劇 Best Musical
最佳音樂劇女主角 Best Performancein Musical (female)
最佳音樂劇女配角 Best Supporting Performance in Musical (female)
最佳音樂指導 Best Music Direction
最佳票房 Best Book
最佳音樂設計 Best Score
1965奧斯卡 Academy Awards, 1965
年度最佳影片 Best Film of the Year
最佳導演 Best Director
最佳影片剪輯 Best Film Editing
最佳錄音音效 Best Sound Recording
最佳音樂設計 Best Scoring of Music (adaptation)
Billboard有史以來最佳銷售蟬聯記錄最久
Billboard's Longest Running Best-Seller
電影「真善美」（300禮拜前40名）
The sound of Music Movie (300 weeks Top 40)
2004/10/16
下午 02:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/
2004/10/16
下午 07:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/
2004/10/17
下午 02:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/
2004/10/17
下午 07:30:00 台北國父紀念館大會堂0413 800/1200/1600/2000/2500/3000/
3600/