2007-03-06 19:56:04理書
Femme Fatale 妖姬(繡妙)
妖姬（黑寡婦、調情者、【希神】塞壬、【希神】塞斯、勾引男人的女人、女巫）
有時如唐璜般的女人，增加了極致扭轉的操控能力，因而顛覆了傳統的性別刻版印象。
就像唐璜，妖姬展現了在不投入個人情感下操控男人的高超技巧。其代表了來自於抑或是獲取錢及權力的性及財力之原型。儘管妖姬並不尋求家或者是家庭生活，但為了錢財、權力、個人的控制及生存而誘惑男人，其可謂之箇中翹楚。
像唐璜的原型，當男性面拒絕操蹤或附屬於女性面時，其會展現心胸開放的正向面。就像亂世佳人中白瑞德最後離開郝思嘉。
電影：雙重保險中的芭芭拉史坦華；最後的誘惑中的琳達佛倫提諾；黑寡婦中的泰瑞莎羅素；紳士愛美女中的查爾斯科伯恩以及簡拉塞爾；要命的吸引力中的凱薩琳透納；埃及豔后中的依莉莎白泰勒；郵差總按二次鈴中的詹姆士。
宗教/神話：塞斯（在格林童話中的女魔法師，會用她的魔法棒將男人變成動物）；Potiphar’s wife（猶太人的聖經，當Potiphar的太太企圖誘惑約瑟失敗後，陷害約瑟被囚禁。在伊斯蘭的傳統裡其被稱為Zeleikha）；Tapairu（玻里尼西亞的女神，棲息於通往地獄的水邊。女死神利用她們惑誘男人離開地面）；羅蕾萊（日耳曼的神話，一個被愛人拋棄的少女投水溺死，而轉變成為會唱催眠美樂來誘惑水手並使其致死的女妖）。
Siren希神(大寫)塞壬(半人半鳥的女海妖,以歌聲吸引水手並使船隻遇難
Don Juan唐璜(過著放蕩生活的西班牙傳說裡的貴族)
nymphs 【希神】【羅神】居於山林水澤的仙女、女神
Lorelei 【德】羅蕾萊（德國文學及傳說中的女妖）
有時如唐璜般的女人，增加了極致扭轉的操控能力，因而顛覆了傳統的性別刻版印象。
就像唐璜，妖姬展現了在不投入個人情感下操控男人的高超技巧。其代表了來自於抑或是獲取錢及權力的性及財力之原型。儘管妖姬並不尋求家或者是家庭生活，但為了錢財、權力、個人的控制及生存而誘惑男人，其可謂之箇中翹楚。
像唐璜的原型，當男性面拒絕操蹤或附屬於女性面時，其會展現心胸開放的正向面。就像亂世佳人中白瑞德最後離開郝思嘉。
電影：雙重保險中的芭芭拉史坦華；最後的誘惑中的琳達佛倫提諾；黑寡婦中的泰瑞莎羅素；紳士愛美女中的查爾斯科伯恩以及簡拉塞爾；要命的吸引力中的凱薩琳透納；埃及豔后中的依莉莎白泰勒；郵差總按二次鈴中的詹姆士。
宗教/神話：塞斯（在格林童話中的女魔法師，會用她的魔法棒將男人變成動物）；Potiphar’s wife（猶太人的聖經，當Potiphar的太太企圖誘惑約瑟失敗後，陷害約瑟被囚禁。在伊斯蘭的傳統裡其被稱為Zeleikha）；Tapairu（玻里尼西亞的女神，棲息於通往地獄的水邊。女死神利用她們惑誘男人離開地面）；羅蕾萊（日耳曼的神話，一個被愛人拋棄的少女投水溺死，而轉變成為會唱催眠美樂來誘惑水手並使其致死的女妖）。
Siren希神(大寫)塞壬(半人半鳥的女海妖,以歌聲吸引水手並使船隻遇難
Don Juan唐璜(過著放蕩生活的西班牙傳說裡的貴族)
nymphs 【希神】【羅神】居於山林水澤的仙女、女神
Lorelei 【德】羅蕾萊（德國文學及傳說中的女妖）
Femme Fatale (Black Widow, Flirt, Siren, Circe, Seductress, Enchantress)
The female counterpart of Don Juan sometimes adds the twist of killing her conquests as an
expression of her ability to dominate, thereby reversing the conventional sexual stereotypes.
As with Don Juan, the Femme Fatale represents highly refined skills at manipulating men without investing personal emotion. The Femme Fatale is a sexual and a financial archetype, and either comes from or is drawn to money and power. Seducingmen with money and power and for the sakeof personal control and survival is a classic part of this archetype, although the Femme Fatale is not looking for a home in the suburbs and the pleasures of family life.
As with the Don Juan archetype, the positive aspect of this pattern is the opening of the heart, which often occurs when the male object rejects the manipulations and dependency of the Femme Fatale, as Rhett Butler rejects Scarlett O’Hara at the end of Gone with the Wind.
Films: Barbara Stanwyck in Double Indemnity; Linda Fiorentino in The Last Seduction; Theresa Russell in Black Widow; Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes; Kathleen Turner in Body Heat; Elizabeth Taylor in Cleopatra.
Fiction: The Postman Always Rings Twice by James M. Cain.
Religion/Myth: Circe (in Greek myth, a sorceress/seductress who could turn men into animals with her magic wand); Potiphar’s wife (in the Hebrew Bible, when her attempt to seduce Joseph failed, she had him thrown into captivity. Her name is Zeleikha in Islamic tradition); Tapairu (Polynesian nymphs who inhabit the waters that lead to the underworld. The goddess of death employs them to seduce men away from the earth); Lorelei (in Teutonic myth, a beautiful maiden who drowned herself after being spurned by her lover, and was then transformed into a siren whose hypnotic music lured sailors to their death).
The female counterpart of Don Juan sometimes adds the twist of killing her conquests as an
expression of her ability to dominate, thereby reversing the conventional sexual stereotypes.
As with Don Juan, the Femme Fatale represents highly refined skills at manipulating men without investing personal emotion. The Femme Fatale is a sexual and a financial archetype, and either comes from or is drawn to money and power. Seducingmen with money and power and for the sakeof personal control and survival is a classic part of this archetype, although the Femme Fatale is not looking for a home in the suburbs and the pleasures of family life.
As with the Don Juan archetype, the positive aspect of this pattern is the opening of the heart, which often occurs when the male object rejects the manipulations and dependency of the Femme Fatale, as Rhett Butler rejects Scarlett O’Hara at the end of Gone with the Wind.
Films: Barbara Stanwyck in Double Indemnity; Linda Fiorentino in The Last Seduction; Theresa Russell in Black Widow; Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes; Kathleen Turner in Body Heat; Elizabeth Taylor in Cleopatra.
Fiction: The Postman Always Rings Twice by James M. Cain.
Religion/Myth: Circe (in Greek myth, a sorceress/seductress who could turn men into animals with her magic wand); Potiphar’s wife (in the Hebrew Bible, when her attempt to seduce Joseph failed, she had him thrown into captivity. Her name is Zeleikha in Islamic tradition); Tapairu (Polynesian nymphs who inhabit the waters that lead to the underworld. The goddess of death employs them to seduce men away from the earth); Lorelei (in Teutonic myth, a beautiful maiden who drowned herself after being spurned by her lover, and was then transformed into a siren whose hypnotic music lured sailors to their death).
下一篇：Don Juan 唐璜 (青燕)