2005-05-26 11:59:50S.A.G.
新樂園藝術空間-第七卷-陳松志個展
第七卷-陳松志個展VOL.7- CHEN SONG JEI SOLO EXHIBITION
5, 28(sat. ) ~ 6, 19(sun. ), 2005
對於「時間/痕跡」的眷戀描繪一直是陳松志創作中持續關注的面向，《界2005》、《背部空間-系列》、《無題2005-系列》藉以粗劣(鄙)的媒材/手法，來建構一個看似簡約卻又夾雜著極繁情感的頹糜/荒謬空間，當科技引領人類走向高畫質(Hi-Fi)的視窗，在其的創造過程中，卻以幾近粗劣(Low-Fi)的途徑來背離當前的審美慣性，嘗試在「醜陋美學」的認知上提供觀者新的感官經驗，其創作中顯見年輕世代存在現實，反觀既往的荒謬衝突，創作者透過各種微觀的角度來觸發身處在機械時代的人們，在其建構的壓縮時空中，尋找那逐漸被忽略的生活片段/記憶，從陳松志的創作發展看來儘管媒材迥異，然而不變的是作品中不斷地找尋、釋放那失落的人性與體溫。此次展出名為「第七卷」意視創作為其個人的心情散記，「卷」彷彿為生活中的紀錄篇章，透過作品，在平淡無奇的生活中尋找人性、物性醜態下的殘存美感，這美來自於自然法則的毀落，這美是來自於消耗後的殘狀，這美也可能是來自暴力後的痕跡……當時間一週七天規律的行進著，一天一卷……，第七卷是一個結束也即將是另一個開始，「第七卷」在此展開著新舊交替、初生與毀落的矛盾之界。
陳松志，1978出生於台灣南投，畢業於國立台南藝術大學造形藝術研究所。行政院文建會鐵道藝術網路台中站-二十號倉庫第四屆駐站藝術家、行政院文建會九十三年度甄選文化創意產業人才出國進修(英國) 、台北國際藝術村2005年國外出訪藝術家。曾獲第三屆台新藝術獎年度視覺藝術TOP 7（2005）、台北美術獎優選（2003）、財團法人世安文教基金會-世安藝術創作獎（2001）、中日稻草文化節景觀裝置 優選（2001）、朱銘美術館觀雨季創作立體美術類-優選（2000）、台中縣清水碑仔口光的裝置藝術 首獎（2000）、國際紙藝術創作 優選（1999）等獎項。自2001年於台中showplace舉辦「搜尋-陳松志創作首展」以來，陸續發表七次個展及參與國內多次聯展。
The depiction of attachment to “time/vestige” has been a focus of Song-jei Chen, who is skilled in utilizing the materials that portray the opposition between the industrial civilization and natural organisms to manifest how people in the mechanical period survive the changing environment and introspect. Chen often uses crude media or techniques to construct an absurd space with concise design mixed with complicated emotions. As technology guides the humans to hi-fi window, the creation was completed in a rather low-fi approach to detach from the conventional appreciation of beauty. It offers a new experience to the audience on “deformation aesthetics”. The work portrays the reality existed in the younger generation and reflected the existing absurdity and conflict. The artist inspired the audience in the mechanical period through different sensory paths (vision, smell, and touch) to seek out the subtle feeling that faded from their memories in the compressed space. Although the media used for Chen’s works varied, his determination and attention to “the warmth of humanity” persisted.
Chen Song-jei, born in 1978 in Taiwan, graduated from Tainan National University of the Arts. Graduate institute of Plastic Arts (M.F.A). Since 1999, Chen began his career as the 4th annual residential artist for the Stock 20 in Taichung railway station art network of the railway warehouse, Taipei artist village 2005 international artist program. Taishin Arts Award - Visual Arts Top 7（2004）, Taipei Arts Award Best-selected（2003）, SAN art creativity Sponsored Reward of SAN Foundation（2002）, Best-selected Installation art in Taiwan Japan International Haulm cultural Festival（2001）, Best-selected of mix media art in Juming Art museum（2000）, Champion of The Light Installation Art in Chingshuei, Taichung（2000）, Best-selected in International Paper art（1999）。In 2001 Chen has a solo exhibition at “showplace” art space, and participated many important group exhibitions in Taiwan.
5, 28(sat. ) ~ 6, 19(sun. ), 2005
對於「時間/痕跡」的眷戀描繪一直是陳松志創作中持續關注的面向，《界2005》、《背部空間-系列》、《無題2005-系列》藉以粗劣(鄙)的媒材/手法，來建構一個看似簡約卻又夾雜著極繁情感的頹糜/荒謬空間，當科技引領人類走向高畫質(Hi-Fi)的視窗，在其的創造過程中，卻以幾近粗劣(Low-Fi)的途徑來背離當前的審美慣性，嘗試在「醜陋美學」的認知上提供觀者新的感官經驗，其創作中顯見年輕世代存在現實，反觀既往的荒謬衝突，創作者透過各種微觀的角度來觸發身處在機械時代的人們，在其建構的壓縮時空中，尋找那逐漸被忽略的生活片段/記憶，從陳松志的創作發展看來儘管媒材迥異，然而不變的是作品中不斷地找尋、釋放那失落的人性與體溫。此次展出名為「第七卷」意視創作為其個人的心情散記，「卷」彷彿為生活中的紀錄篇章，透過作品，在平淡無奇的生活中尋找人性、物性醜態下的殘存美感，這美來自於自然法則的毀落，這美是來自於消耗後的殘狀，這美也可能是來自暴力後的痕跡……當時間一週七天規律的行進著，一天一卷……，第七卷是一個結束也即將是另一個開始，「第七卷」在此展開著新舊交替、初生與毀落的矛盾之界。
陳松志，1978出生於台灣南投，畢業於國立台南藝術大學造形藝術研究所。行政院文建會鐵道藝術網路台中站-二十號倉庫第四屆駐站藝術家、行政院文建會九十三年度甄選文化創意產業人才出國進修(英國) 、台北國際藝術村2005年國外出訪藝術家。曾獲第三屆台新藝術獎年度視覺藝術TOP 7（2005）、台北美術獎優選（2003）、財團法人世安文教基金會-世安藝術創作獎（2001）、中日稻草文化節景觀裝置 優選（2001）、朱銘美術館觀雨季創作立體美術類-優選（2000）、台中縣清水碑仔口光的裝置藝術 首獎（2000）、國際紙藝術創作 優選（1999）等獎項。自2001年於台中showplace舉辦「搜尋-陳松志創作首展」以來，陸續發表七次個展及參與國內多次聯展。
The depiction of attachment to “time/vestige” has been a focus of Song-jei Chen, who is skilled in utilizing the materials that portray the opposition between the industrial civilization and natural organisms to manifest how people in the mechanical period survive the changing environment and introspect. Chen often uses crude media or techniques to construct an absurd space with concise design mixed with complicated emotions. As technology guides the humans to hi-fi window, the creation was completed in a rather low-fi approach to detach from the conventional appreciation of beauty. It offers a new experience to the audience on “deformation aesthetics”. The work portrays the reality existed in the younger generation and reflected the existing absurdity and conflict. The artist inspired the audience in the mechanical period through different sensory paths (vision, smell, and touch) to seek out the subtle feeling that faded from their memories in the compressed space. Although the media used for Chen’s works varied, his determination and attention to “the warmth of humanity” persisted.
Chen Song-jei, born in 1978 in Taiwan, graduated from Tainan National University of the Arts. Graduate institute of Plastic Arts (M.F.A). Since 1999, Chen began his career as the 4th annual residential artist for the Stock 20 in Taichung railway station art network of the railway warehouse, Taipei artist village 2005 international artist program. Taishin Arts Award - Visual Arts Top 7（2004）, Taipei Arts Award Best-selected（2003）, SAN art creativity Sponsored Reward of SAN Foundation（2002）, Best-selected Installation art in Taiwan Japan International Haulm cultural Festival（2001）, Best-selected of mix media art in Juming Art museum（2000）, Champion of The Light Installation Art in Chingshuei, Taichung（2000）, Best-selected in International Paper art（1999）。In 2001 Chen has a solo exhibition at “showplace” art space, and participated many important group exhibitions in Taiwan.