【2015楊牧研究國際研討會】時間：2015年11月14、15日
2015 Yang Mu Studies
International Conference
【2015楊牧研究國際研討會】時間：2015年11月14、15日
劉益州 Yi-jhou Liu
〈生死文字間：楊牧《介殼蟲》中的時間表述〉⋯⋯
楊牧藉由詩作探索自我在時空中的位置及生命根源的企圖相當明晰，他的詩作經常以自我生命追尋為原點，進一步對「他者／他物」參照，發現抽象與拔高的生命價值。本文就楊牧收錄於《介殼蟲》詩集中進行觀察，從「時序及天體運行的時間觀察」、「他者及他物的生命觀察」幾個部分進行討論。可看見楊牧如何對時間及生命世界產生各種「好奇」及想像，並用精確而深邃的比喻呈現出來，可從《介殼蟲》中看見其對生命的想像及探索，對時間的觀察與自我表述，同時也能更察覺到楊牧詩作的藝術及思想價值。
“Life and Death in between Words:
Expression of Time in Yang Mu’s The Scale Insect"
Yang Mu has a distinct intension to explore the positon of self in time and space as well as revision the origin of life. His poems usually start with self’s inner-quest, which further illuminated by “the Other/Other objects,” finally attain the abstract and comprehend the value of exalted life. This paper attempts to analyze the poems collected in The Scale Insect by looking into how they recapture “seasonal order and the rotation of celestial bodies” and how they observe “the life of the other and the other objects.” It unravels how Yang Mu raises “curiosity” and imagination in a great variety of ways to fathom time and the living world, and finds expression of them in precise and arcane metaphors. From The Scale Insect one witnesses Yang Mu’s imagination and exploration towards life, his observation of time, and self-figuration, and at the same time perceives the aesthetic and cognitive value of his poetry.
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