2011-09-14 17:06:14亞里斯多德
電影:消失的1943與蒙托克計畫
感想:
當年只覺得男的帥女的美,男女的愛情戲,讓生冷的科技故事,更加引人入勝.
甚至開啟了對於"時空"的想像與熱愛.在此分享給您,或許過去的拍攝手法,
不如現在的尖端科技,但是題材本身的真實性,卻是值得大家關注玩味的.
事隔多日,偶然間在Facebook上看到教會弟兄,分享了一篇"蒙托克計畫",這時
我才驚覺到多年前看到的電影,竟然是真實故事改編.在此把這些分享給大家.
上映日期:1984//
導演: 史都華拉斐爾(Stewart Raffill)
演員: 麥可派瑞 南茜艾倫 鮑比狄西奇歐
[電影分級]:護/[電影類型]:真實故事
故事大綱:
這部拍攝於1984年,關於時空交錯的科幻片是根據一件發生於第二次世界大戰的神祕真實事件改編而成。西元1943年十月,美國海軍進行一項反雷達偵測實驗,沒想到實驗的船艦不只從雷達上消失,而且還被送入41年後的時空,連同船上的工作人員大衛(麥可派瑞,「狠將奇兵」)和吉姆都跑到了1984年的未來;更糟糕的是,他們不久後便發現海軍即將進行一次相同性質的實驗,只是這次受害的可能不只艦上的船員,而是全世界!
Sunday, January 30, 2011
The Philadelphia Experiment
Back in high school, I remember hearing from some buddies about a World War II era effort to cloak our battleships from enemy radar. The last phase of this involved an experiment in Philadelphia with a fully staffed battleship that was subjected to some type of energy field. The program was then terminated, and a set of urban legends arose regarding this event which came to be known as the Philadelphia Experiment (follow the link to Wikipedia for more info). Some of the post experiment claims my friends talked about were reports of sailors phasing in and out of existence and sometimes materializing within solid matter, even days after the event. Some of them reportedly went crazy. It turns out that the entire program is probably a myth as the Navy denies it ever existed, but it did capture my imagination at the time.
So I was glad when I heard a few years later that a film was out that was based on the incident, called simply The Philadelphia Experiment. I don't know what I had expected it to be, but I do remember that I enjoyed the film. It was a kind of a mix between a traditional sci-fi story and a heart-warming drama, and that is all I could remember of it. Thus, I looked it up on Netflix and found it available for instant viewing and watched it again. I found my opinion hadn't changed much, so here goes.
First, the science fiction backdrop of the story is actually not bad at all. You have the connection to the myth in 1943 as an anchor, and then a wormhole of sorts that connects to 1984 (the year the film was released). I remember thinking that was a rather arbitrary coincidence until you find out later on that it is the same scientist performing the same type of experiment in 1984 that causes the link, and that very neatly closes the loop. Two of the sailors from 1943 abandon the ship and end up falling into the future. One of them gets pulled back but the other has to find his way back home. It turns out that the wormhole in '84 won't close up and is threatening to suck the world into it. The hole, it is said, won't close due to an energy source from the other side. That energy source is the field generator in the battleship which never got shut down, and our hero must go back in to complete the job and save the world. Yes, it sounds crazy but it has a logic to it. If the wormhole was created by the second experiment in '84, then if the guy who actually shut down the generator in '43 now gets sucked into the future, history has now been changed by the precise event that would have caused the wormhole to close. Thus, the only way to fix the problem is to shut it down from the '84 side, which paradoxically fulfills the shutdown that orginally happened in '43. The best guy for that job is the one who was supposed to have done it in the first place. Make sense?
The first thing I like is that the story has such balance. Where most science fiction would focus on the scientist and his experiment, this one focuses on the two navy boys who get caught up in the fray. These are just simple guys with a bit of military training that comes in handy in a fix. The story arc that involves the two friends, both past and future, and their unwitting companion, gives it some heart. In fact, the hero falls for an 80's chick and their whole relationship is quite silly and poorly acted, but it gives him a reason to return back to the future after completing his mission. The characters are developed just enough to allow the film to move quickly and stay interesting throughout its short 1:40 run. The old "fish out of water" device is utilized just enough to be cute (and dated!), but not so much as to take away from the story flow. The special effects are surreal enough to still hold up pretty good, and the pyrotechnics, sound, and wind tunnel work is all done well too. The music sounds like a typical orchestral television drama of that era plus a few 80's style pop hits, enough to get by.
Finally, I just love a time travel film that makes an effort to stay consistent and tie up all the loose ends. You see, since the main character only goes back to the past briefly and then returns to the future, there is no real chance for a paradox to develop, even though you are kept guessing about that until the end. He stays only long enough to correct the one mistake and then goes back to 1984. His friend does not stay in the future long enough to be able to affect it when he returns to the past, and his story about what happened is never believed. You sit and watch all the little facts that are revealed and then neatly resolved by the end. I would not call it a high quality piece of film making, but it is nonetheless a really well executed piece of story telling. I've also discovered John Carpenter was, interestingly, on the executive production team so it makes me wonder if that could have been a factor.
So I was glad when I heard a few years later that a film was out that was based on the incident, called simply The Philadelphia Experiment. I don't know what I had expected it to be, but I do remember that I enjoyed the film. It was a kind of a mix between a traditional sci-fi story and a heart-warming drama, and that is all I could remember of it. Thus, I looked it up on Netflix and found it available for instant viewing and watched it again. I found my opinion hadn't changed much, so here goes.
First, the science fiction backdrop of the story is actually not bad at all. You have the connection to the myth in 1943 as an anchor, and then a wormhole of sorts that connects to 1984 (the year the film was released). I remember thinking that was a rather arbitrary coincidence until you find out later on that it is the same scientist performing the same type of experiment in 1984 that causes the link, and that very neatly closes the loop. Two of the sailors from 1943 abandon the ship and end up falling into the future. One of them gets pulled back but the other has to find his way back home. It turns out that the wormhole in '84 won't close up and is threatening to suck the world into it. The hole, it is said, won't close due to an energy source from the other side. That energy source is the field generator in the battleship which never got shut down, and our hero must go back in to complete the job and save the world. Yes, it sounds crazy but it has a logic to it. If the wormhole was created by the second experiment in '84, then if the guy who actually shut down the generator in '43 now gets sucked into the future, history has now been changed by the precise event that would have caused the wormhole to close. Thus, the only way to fix the problem is to shut it down from the '84 side, which paradoxically fulfills the shutdown that orginally happened in '43. The best guy for that job is the one who was supposed to have done it in the first place. Make sense?
The first thing I like is that the story has such balance. Where most science fiction would focus on the scientist and his experiment, this one focuses on the two navy boys who get caught up in the fray. These are just simple guys with a bit of military training that comes in handy in a fix. The story arc that involves the two friends, both past and future, and their unwitting companion, gives it some heart. In fact, the hero falls for an 80's chick and their whole relationship is quite silly and poorly acted, but it gives him a reason to return back to the future after completing his mission. The characters are developed just enough to allow the film to move quickly and stay interesting throughout its short 1:40 run. The old "fish out of water" device is utilized just enough to be cute (and dated!), but not so much as to take away from the story flow. The special effects are surreal enough to still hold up pretty good, and the pyrotechnics, sound, and wind tunnel work is all done well too. The music sounds like a typical orchestral television drama of that era plus a few 80's style pop hits, enough to get by.
Finally, I just love a time travel film that makes an effort to stay consistent and tie up all the loose ends. You see, since the main character only goes back to the past briefly and then returns to the future, there is no real chance for a paradox to develop, even though you are kept guessing about that until the end. He stays only long enough to correct the one mistake and then goes back to 1984. His friend does not stay in the future long enough to be able to affect it when he returns to the past, and his story about what happened is never believed. You sit and watch all the little facts that are revealed and then neatly resolved by the end. I would not call it a high quality piece of film making, but it is nonetheless a really well executed piece of story telling. I've also discovered John Carpenter was, interestingly, on the executive production team so it makes me wonder if that could have been a factor.
[蒙托克計畫]