The Thirteenth Tale -part 1
As a translator recognize the language and then translate the work.Teacher siad"It's impossible way to read the real meaning about the authour thinking"....So I decide not to read the Chinese version of the novel .Just read a novel.
Look! How to touch the aouthor soul? We're not he or she....if you like to read something for fun..Don't remeber the word of chinese meaning.At first we read together.It's ridicous.There are some vocabulary I need to find the meaning. You told me ...Don't worry about that I'm your dictionary...Wow...!!
One night in November Margaret Lea prepared to go home. She saw that her father had closed the store and left the light on over the front porch. The light cast a shadow in the shape of a rectangle upon the wet pavement. She stood in the shadow of the rectangle. When she was going to insert her key into the door, she found a letter that looked like another rectangle. This letter was put on the fifth step from the bottom. She took this letter and then closed the door. The key was put behind Bailey’s Advanced Principles of Geometry as a key holder. She looked at the cover of this envelope, with old-fashioned handwriting and thickly folded contents inside. She felt that this handwriting resembled a childish scrawl, with each letter of her name being written upon the envelope separately rather than as a logical sequence. In fact, she consciously realized that the author of such handwriting must have a physical problem with his hand.
Before Margaret Lea opened the envelope, she needed to find a place where she would not be disturbed. In order to read the letter, primarily because in her childhood she once fell down from sitting on a high wall while reading a storybook. After she opened this letter, it was difficult to read every word due to illegible characters. Fortunately, Margaret’s work property facilitated the reading of difficult scripts. She could easily and quickly read the content as quickly as possible from the characters, combining words into sentences. She believed, the recipe for understanding those scripts is patience and practice. Through deeply observing the shapes of letters and any marks, you would, naturally, realize the intention, thoughts, and even feelings of writers.
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