.“........As a pianist, I think Vienna classical music is the most traditional and beautiful. The students, like us, are asked to play by HEART, not just by fingers or obvious f and p. Also, I think the most I benefit from our teacher is the beautiful touching. They make a player outstanding, at least, more outstanding than others. You know, many students in Macau, either do they come from the conservatory or from other schools, have developed, relatively speaking, good technique. Then what makes them a good player or a bad one? What I said above do. I do not like those technical piano player, as I guess they can be replaced by computer someday.......” --自某友人電郵

此友人提及用心去利用對手去彈琴的問題。他本就不硝一顧那些“投巧”派人士﹐當然也就屬主張“用心去彈”的習琴之人。吾當必舉腳認同。唯正經營此新聞台之時深深感受到中文打字程度不足及從少在英文學校成長所帶出的不便﹐仍萬分無奈。習慣成自然﹐重投巧之師亦不無他的道理。情況有如我母校不理學生中文運用能力一般﹐而學生只懂死背古文就可。一直中文分數不高的我卻從未學到些對我有幫助的東西。低子不穩幹嘛也不好﹐到真的開曉知道怎去“用心”做句有點兒水準的句子﹐也就極為難了。所以﹐當大家自覺未捉到何謂“用心去彈”之時﹐不妨將心機用在投巧之上﹐好令有朝的那日懂得真正的隨心所欲時收放更自如。