奇怪藝術短語(四)

奇美博物館裡日本那些盔甲第一個吸引我目光之外，就是這個了！！又是一個不知道是真品還是贗品的作品，但是那個細緻就讓我貼在玻璃邊像個蠢蛋一樣的盯了很久！！好像擁有阿＞＜犯規，又被老婆婆說：這小女孩不知道在看啥，刀刀槍槍的有甚麼好看，吂嘎五架喝跨．．（卡通有這麼好看嗎）看著作品想像著繪師在現場忙碌紀錄的樣子，肯定一團混亂，因為這些生物都會動阿，又不是硬定的在那兒的石膏像，所以肯定都是事後完稿，但當下的情境應該也是壯觀的吧，每一幅的細節都好華麗，布料的表現方式讓我深深地被吸引，當然除了細節還是細節，重點就是魔鬼藏在細節裡，每一幅圖片的結構中馬屁上的圖騰．．．．會不會太時尚阿，這應該是刺青圖吧＞＜繪師自己畫上去的！？還是有甚麼代表意義，我’當然知道有意義，不過實在都很好笑，找到這幅的時候更妙，因為．．．．竟然有兩個版本！？難道有仿品！？但到底誰是仿作＞＜有價值到需要仿作嗎！？我不是很清楚！？但我又看錯重點，這到底是夫妻還是兩個戰士阿！？照道理那個時代馬術應該是不會有女人上場，但是看起來很像，不過法國那時候的宮廷好像會有這樣的打扮啦，假髮的社會情境，花俏的很，而且這幅有一個很大的特色，那個時代就流行品牌化了啦，妳看看那個Ｌ標誌的表現，皇家還怕人家不知道就對了，難怪ＬＶ也是那樣的風格阿，至於這兩個人的表情我實在很難揣測它們的心情，到底是畫師故意的，還是他累了＞＜，其實每一幅都有笑點，但今天晚了我就先寫這樣吧．到時候再慢慢寫，真的是很佩服過去的匠技，那肯定是需要精煉到一個程度的阿，但留下的東西這樣被我看到他應該會哭泣吧＞＜

但有一個可怕的巧合，就是又是版畫，我這幾天也串連了太多東西了，是有甚麼要我看到的嗎！？我懂，讓我再看看吧．別一下給我太多，我會無法消化．

不過如果是版畫可能就會有很多套版，那又是另一回事了，但誰會這麼花俏的套不一樣的顏色！？

https://commons.wikimedia.org/…/Category:Turnierbuch_(Hans_…

以下還是補充一下作者資料：
Burgkmair was born in Augsburg, the son of painter Thomas Burgkmair and his son, Hans the Younger, became one too.[1] From 1488, he was a pupil of Martin Schongauer in Colmar, who died during his two years there, before Burgkmair completed the normal period of training. He may have visited Italy at this time, and certainly did so in 1507, which greatly influenced his style. From 1491, he was working in Augsburg, where he became a master and opened his own workshop in 1498.

Hollstein ascribes 834 woodcuts to him, mostly for book illustrations, with slightly over a hundred being "single-leaf", that is prints not for books. The best of them show a talent for striking compositions, and a blend, not always fully successful, of Italian Renaissance forms and underlying German style.

From about 1508, he spent much of his time working on the woodcut projects of Maximilian I until the Emperor's death in 1519.[1] He was responsible for nearly half of the 135 prints in the Trumphs of Maximilian, which are large and full of character. He also did most of the illustrations for Weiss Kunig and much of Theurdank. He worked closely with the leading blockcutter Jost de Negker, who became in effect his publisher.[2]

Burgkmair's 1522 colored woodcut of the Coat of arms of the Swabian League, with a flag of St. George. Two putti support a red cross in a white field; the motto: What God has joined let man not separate.
He was an important innovator of the chiaroscuro woodcut, and seems to have been the first to use a tone block, in a print of 1508.[3] His Lovers Surprised by Death (1510) is the first chiaroscuro print to use three blocks,[4] and also the first print that was designed to be printed only in colour, as the line block by itself would not make a satisfactory image. Other chiaroscuro prints from around this date by Baldung and Cranach had line blocks that could be and were printed by themselves.[5] He produced one etching, Venus and Mercury (c1520),[6] etched on a steel plate, but never tried engraving, despite his training with Schongauer.

Burgkmair was also a successful painter, mainly of religious scenes and portraits of Augsburg citizens and members of the Emperor's court. Many examples of his work are in the galleries of Munich, Vienna and elsewhere, carefully and solidly finished.[7] His portraits suit modern taste better than his religious works.

Burgkmair died at Augsburg in 1531.

https://commons.wikimedia.org/…/Category:Turnierbuch_(Hans_…