2012-06-08 18:39:18DJ

2012.6.8「PINA」: Dance Dance, otherwise We are lost


 





PINA : Dance Dance,otherwise We are lost

 

2010 台北電影節,【碧娜鮑許之青春交際場/Dancing Dreams蹈記錄片.三天內票就一掃而空! 之後有在公視播放 如果兩者都無緣看到的朋友們,就真的別再錯過、而喜愛PINA的朋友們更是不能錯過今晚即將上映的 「PINA」 ~~~~真的是等這一部等很久了 ~  ^0^

 

舞蹈劇場之母-Pina Bausch 辭世  http://mypaper.pchome.com.tw/djspirit/post/1313228317  




 

 

< 以下摘自相關網頁 >

 

¢

 

PINA一片是導演溫德斯對已故的舞蹈家碧娜鮑許的3D致敬,震懾人心又深具啟發性,在柏林影展放映時,吸引了影迷瘋狂搶購。因為它不但是世上第一部的3D藝術電影,也證明了3D和現代舞是天生一對。 

1985
年溫德斯首次觀賞碧娜鮑許的演出,讓他驚豔又感動,隨後兩人發展成長年友誼,也為電影合作埋下種子。2009年碧娜.鮑許過世,片子面臨停擺的命運。溫德斯收到來自四面八方的鼓勵,決定繼續拍攝本片。 

PINA
由碧娜鮑許舞團的主要舞者演出已故碧娜鮑許最受好評的四齣舞作:《慕勒咖啡館》、《春之祭》、《滿月》和《交際場》等經典。溫德斯袖子裡藏著幾個令人驚嘆的創意技巧----例如半透明的簾幕,分層了影像,製造出更多的空間給舞者施展;3D效果讓舞臺前後的舞蹈得以彼此互動;藉由攝影機的幫助,烏帕塔舞蹈劇場的舞者們像是飄浮在真實的幻影之中,一會兒又從陰影中衝出……溫德斯編織出一道結構緊密、又讓人陶醉的魔力。 

PINA
是一場表演者和觀眾零距離的演出,它把觀眾帶入了一個超越劇場表演的體驗,我們看到舞者將自己甩出銀幕,看見他們的情緒、汗水你幾乎不會發現溫德斯厲害的剪輯手法,他讓舞者像變魔術般衰老、改變、消失。
各地的舞迷當然不容錯過,將會沉浸在碧娜鮑許令人著迷的作品裡。

【關於電影】

  《慾望之翼》《樂士浮生錄》名導文溫德斯向獻已逝舞蹈第一夫人碧娜鮑許致敬之作

  重現西班牙大導阿莫多瓦的謬思女神:碧娜鮑許三十年舞蹈生活愛恨點滴

  收錄了最著名的四齣舞作:《春之祭》、《慕勒咖啡館》、《交際場》、《滿月》

  首部3D藝術影片入圍奧斯卡最佳紀錄片獎項、歐洲電影獎最佳紀錄片、德國金像獎最佳紀錄片

  首部嚴密、開創地發掘3D可能性的非好萊塢電影


《碧娜鮑許》是電影大師溫德斯獻給已逝的舞蹈第一夫人碧娜鮑許的電影,收錄了碧娜鮑許最著名的四齣舞作:《春之祭》、《慕勒咖啡館》、《交際場》、《滿月》,溫德斯並把舞者帶出劇場,走進烏帕塔這個碧娜鮑許三十年來的生活中心,將街道巷弄化作舞台,在城市的各個角落翩翩起舞。

 

影片同時穿插著碧娜鮑許珍貴的紀錄片段,不僅有她的親自演出,更有她對舞蹈的深刻觀點,她說:「舞吧,舞吧不然我們就迷失了。

 

¢

WIMWENDERS ABOUT PINA BAUSCH

INVENTOR OF A NEWART FORM

No, there was no hurricane that sweptacross the stage,
there were just … people performing
who moved differently then I knew
and who moved me as I had never been moved before.
After only a few moments I had a lump in my throat,
and after a few minutes of unbelieving amazement
I simply let go of my feelings
and cried unrestrainedly.
This had never happened to me before…
maybe in life, sometimes in the cinema,
but not when watching a rehearsed production,
let alone choreography.
This was not theatre, nor pantomime,
nor ballet and not at all opera.
Pina is, as you know,
the creator of a new art.
Dance theatre.

WIMWENDERS ABOUT PINA BAUSCH

MOVEMENT

Until now movement as such has nevertouched me.
I always regarded it as a given.
One just moves. Everything moves.
Only through Pina's Tanztheater have I learned to value
movements, gestures, attitudes, behaviour, body language,
and through her work learned to respect them.
And anew every time when, over the years I saw Pina's pieces, many times andagain,
did I relearn, often like being struck by thunder,
that the simplest and most obvious is the most moving at all:
What treasure lies within our bodies, to be able to express itself withoutwords,
and how many stories can be told without saying a single sentence.

http://www.pina-film.de/en/about-the-movie.html

 

 







yusu 2012-06-14 10:08:25

代表作都融在電影中,與眾不同的編舞家。