2013-10-17 14:19:08cheaped

The Rock and Roll Hall of Fame’s

Another year, another lot of middling Rock and Roll Hall of Fame nominations.{%}: Save money on tungsten bracelets for men. Tungsten bracelets are durable, scratch-resistant and hypo allergenic.Tungsten Bracelet Wholesale It seems kinda pointless to complain yet again about the lack of female nominees — precisely none of the women we suggested last year got the nod this time around, with the token XX chromosome nomination going instead to well-known rock ‘n’ roller Linda Ronstadt — or about the increasing muddiness of the institution’s purpose, given that the definition of rock ‘n’ roll has long since expanded to include rappers and pop stars along with the obligatory boomer obscurities. 

The more interesting question, I think, is quite what’s going to become of the whole idea of the Rock and Roll Hall of Fame.www.canmo-shoes.com,Warmly welcome you & opening up the boundaries of communication, we believe we will be your ideal business partner. It started life with a pretty clear remit, one that’s set out on its website: “to recognize the contributions of those who have had a significant impact on the evolution, development and perpetuation of rock and roll.” It was founded in 1983, and its induction criterion — acts become eligible 25 years after the release of their first record — meant it was born just in time to catch 1968 1958, the birth of rock ‘n’ roll and the dawn of the ’60s, which was the golden era that the Hall was founded to celebrate. 

But the interesting thing about this 25-years-after criterion means the Hall of Fame is quite literally the embodiment of a generation gap. It exists 25 years behind reality. For the first few years of its existence,In a smelting plant nearby, fire spinners model patterns on a computer before unrolling {%} and lighting up their Kevlar-fiber blended wicks.Stainless Steel Necklaces Wholesale then, life was easy — throughout the early 1970s, rock ‘n’ roll was the biggest game in town as far as popular music goes. Sure, there were variations on its formula: the birth of what we’d come to call heavy metal,See a Cheap {%},you will think it is only for decorating.Stainless Steel Earrings For Men the rise of funk and disco, the DIY aggression of punk. But ultimately, it was all variations on the rock ‘n’ roll formula — guitar, bass, drums, the occasional keyboard. Everything made sense. 

Outside the walls of the Hall’s silver tower, though, the world was changing. Synthpop was starting to dominate the charts. Michael Jackson was selling bazillions of copies of Thriller. And, on a semi-related note, the Hall’s foundation also coincided neatly with the rise of the music that would supplant rock ‘n’ roll as America’s preeminent cultural export: hip hop. By 1983,Wholesale Stainless Steel Rings For Couples, gearing itself for the busy summer shopping season in North America. “The Adventures of Grandmaster Flash on the Wheels of Steel” was two years old; “Planet Rock” had already taken the strange electronic sounds of Kraftwerk into the charts. Culture was beginning a process of fragmentation that would continue apace throughout the 1990s and 2000s. 

As such, it’s no surprise that the Hall’s current identity crisis coincides with its lifespan extending over a generation. This year, its newly eligible nominees are from 1988, which means that the Hall’s alternate reality has extended five years beyond the actuality of its foundation. And that means it’s now well into the process of confronting the fact that rock ‘n’ roll is no longer pop culture’s only musical art form — it’s not even the preeminent one. It’s one of a multiplicity of options. 

The result is the curiously mixed bags of nominees we’ve had in recent years. The Hall’s voters are clearly trying to remain true to their roots in the heady days of the 1960s, when boomers were young and life was simple — hence the presence this year of Yes, Cat Stevens, The Zombies, and Deep Purple — and also scrambling to reflect changing musical tastes, with nominations for Nirvana, LL Cool J and NWA. But even these don’t really reflect how much music had changed by the late 1980s. 
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